Ask the Author #2
David O. asks: I love books, read all the time, but I’ve never reread a book. Even if I absolutely loved it. Have you ever reread any books and how did it differ the second or third time if you have done it?
Elisa answers: This is a great question. I am a creature of habit, so there are certain books and/or authors I’ll repeatedly read. I read all of Judy Blume’s books over and over when I was a kid, and have reread a few of them as adults and still love them. My sister read S.E. Hinton's The Outsiders in school, and loved it so much that she read it to my twin brother and me; I, in turn, loved and read it incessantly throughout my adolescence. There were books I slogged through in junior high and high school--Animal Farm, A Christmas Carol, for example—that I reread in my thirties with a much deeper understanding and appreciation (A Christmas Carol is a yearly tradition now, especially to pass the time when I'm traveling). I’ve read Richard Russo’s Straight Man a couple of times and laugh just as much.
And the more I reread Nora Ephron’s Heartburn, the more I am fascinated by just how good it is. I didn’t have that appreciation for it the first time.
I read John Taylor’s In the Pleasure Groove once and then listened to it on audiobook. (I mean, come on—who wouldn’t want to be read to by John Taylor?) And I loved my husband’s The Fallow Season of Hugo Hunter so much I read that one twice in a span of months—once when he sent me an advanced copy for me to offer an endorsement (this was well before we got involved; I think it’s still on the Amazon product page, but it’s lost its value completely) and again when the book launched. I read it again the following year. It’s still my favorite of his books, which kind of surprises me. I’m sure if I reread it now, it will take on even more meaning since it’s set in Billings and I know the city so well now.
There’s also Stephen King’s On Writing, which I occasionally reread just as a refresher or battery charger for my own writing.
But to specifically answer your question, the second or third reading experience varies with each book. As I mentioned, sometimes I develop a deeper appreciation for the writing or the story, or notice something about a character I hadn’t previously. Sometimes the entertainment factor is exactly as enjoyable, like watching a favorite movie or TV series repeatedly. I can’t recall any book I’ve reread where I thought, That wasn’t as good as I remembered.
Books I would like to reread in the near future:
Steve Healy’s How I Became a Famous Novelist
Richard Russo’s Straight Man (yes, again)
Karen Booth’s Bring Me Back
Marien Keyes’ The Other Side of the Story
And, believe it or not, one of my own books--Adulation. That one has been on my mind lately for some reason. The problem with rereading my own books is that I constantly find something I wish I'd worded better.
But I have such a long To Be Read list that I’m not sure I’ll get to any of them any time soon. (So many books, so little time…) It’s a good problem to have.
Have you reread a book? If so, tell me about it in the Comments!
Book Review: What Nora Knew
It’s possible I just kinda sorta met my soulmate. My Nora Ephron soulmate, that is.
I don’t remember exactly when Amazon alerted me to Linda Yellin’s What Nora Knew (other than it was earlier this year), but I had downloaded a sample on my Kindle and figured I would get to it at some point during my Year With Nora Ephron.
I got to it this past weekend. Especially after I saw it on sale for a buck-99.
Here's the product description:
Molly Hallberg is a thirty-nine-year-old divorced writer living in New York City who wants her own column, a Wikipedia entry, and to never end up in her family’s Long Island upholstery business. For the past four years Molly’s been on staff for an online magazine, covering all the wacky assignments. She’s snuck vibrators through security scanners, speed-dated undercover, danced with Rockettes, and posed nude for a Soho art studio.
Yellin knew her audience—I could have sworn she’d written it for me personally. In fact, I found myself wishing I had written it. And any book that has me wishing I’d written it is what makes writing such a challenge and reading so pleasurable. (That’s not the only criteria, but it certainly makes things interesting.) It wasn’t simply the subject matter—although let’s face it: I might not have picked up the book in the first place, much less noticed it—but the writing itself. Molly had a distinct voice. The story hit all its pulse points. And it was smart. Amusing. Romantic. Yellin captured the New York and Hamptons scene I had failed to capture in Faking It. She captured the wittiness I love. And there were little Nora Ephron Easter Eggs hidden all over the place.
Even if I had tried to write that book, I wouldn’t have succeeded. But it at least makes me want to try. Not to write that book, but one that Linda Yellin would like.
I couldn’t find much about Yellin other than her website—she doesn’t seem to have a social media presence—but her previous two books are now on my reading list. And if anyone reading this happens to know her, tell her I’d like to meet her on the observation deck of the Empire State Building sometime. Preferably in October. I just love New York in the fall.
I'm an author of commercial women's fiction and a writing instructor. My claim to fame: I can say the alphabet backwards.